Dedicated to the ones interested in the history of Santa Maria del Monte, it includes and shows romanesque sculptures, precious miniatures, a collection of important paintings of Giuseppe Baroffio Dall’Aglio and a section of sacred art from the 20th century.  You'll find 20th century bright rooms but also hidden old rooms situated under the Sanctuary, with remains of fifteenth-century frescos. The museum includes also a beautiful terrace with one of the most beautiful views in Lombardia.  The Madonna con il Bambino by Domenico and Lanfranco from Ligurno is the symbol painting of the museum.  INFO  ADDRESS: Piazzetta del Monastero - Varese  OPENING HOURS: from march to november, frrom Wednesday to Friday: 2pm - 6 pm  //  Saturday, Sunday and festive day: 10 am - 6 pm Christmas opening from December 8  to January 8  //  Special opening all year with prenotation  TICKETS: Full price ticket for the musuem € 5 // Combined ticket (you can visit the three main museum in Sacro Monte di Varese and it lasts 6 months) € 12 // Reduced ticket (kids 4-12 years and groups): € 3  Dog of small size allowed if hold in arms, in compliance with the hygiene and public safety rules* *Information by the Cite. For any other question please check the guidelines from the Museum NEI DINTORNI: Plan your stay and your experience in the land of the lakes. Cover photo museobaroffio

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In full compliance with the regulations in force, the exhibition is suspended till further notice. For the first time you will admire, one next to the other, the two versions of the “Rest on the Flight into Egypt”, two masterpieces by Orazio Gentileschi. An extraordinary exhibition promoted by Cremona Municipality and its Town Museums, curated by Mario Marubbi. Beyond these two great paintings, the first of the Kunsthistorisches Museum in Wien and the second belonging to a private collection, the exhibition proposes a selection of other paintings, sculptures, objects in ivory and engravings about the popular theme of the “Flight”, recounted only in the Gosple of Matthew and in the New Testament Apocrypha. Two similar paintings, by Orazio Gentileschi, made one after the other and dedicated to the tale of  the “Rest on the Flight to Egypt". A theme which was wonderfully portrayed by Gentileschi and which attracted several purchasers. In fact, beyond the two versions in Cremona, there are other two paintings dedicated to this theme, one at Louvre and one at the Birmingham Museum. Paintings which are considered among the most interesting of the Italian production of the first part of the 17th Century. The two versions exhibited at Ala Ponzone Picture Gallery date back to the moment when Orazio Gentileschi – probably the most precocious, intelligent and open-minded Caravaggesque painter – was enjoying a moment of enormous international fame. This fame increased in Paris, where he was called to the court of Maria de’ Medici, and then it was amplified in London where he was invited by George Villiers, first duke of  Buckingham. The end of the Kingdom of Charles the First provoked the fall of his powerful minister and his “Flight into Egypt” was auctioned by George Cromwell in Anversa in 1646. It was included in the collections of the Archduke Leopoldo Gugliemo, for his Castle in Prague and then it was sent to the Kunsthistorisches Museum in Wien.Also the second version had a difficult history. After several passages, in the 19th Century, the picture was included in the collection of the Dukes of Buckingham, to substitute the twin painting which was sent to Prague. When it was re-introduced in the market it was included in the collection of Paul Getty in Malibu and today it is one of the masterpieces of a private collection in Mantua. For the first time in history, the two “Buckingham” versions  of the “Rest on the Flight into Egypt” will be displayed one next to the other, thanks to the loan of the Wien Museum which will receive from Cremona Museum the famous “St.Francis in Meditation” by Caravaggio. And, obviously, thanks to the collector who owns the other version of the painting.